Terrible Teddy by Penhaligon'S 75 ml, packaging

Terrible Teddy by Penhaligon'S 75 ml, ingredients

Terrible TeddyPenhaligon'sEau de parfum 75 ml

1375 lei

‘TERRIBLE TEDDY’, ON THE CONTRARY

Teddy lives for the thrill of the chase, ensnaring unsuspecting hearts with his scent of leather, incense and ambroxan. A smooth operator, his sights are trained on Helen... until he meets the Duke. You may call him terrible, but TERRIBLE TEDDY is terribly smooth and intentionally masculine and disarmingly fascinating as a Portraits collection scent.

WARM
EARTHY
MASCULINE

Scent Family	Leather, Spicy
Top Notes	Pink pepper, Incense, Pimento
Heart Notes	Leather
Base Notes	Ambroxan, Cedarwood, Vetiver, Wood, Patchouli
Recommended as	Perfume for women and men
Ingredients	Alcohol Denat., Parfum (Fragrance), Aqua (Water), Ethylhexyl Methoxycinnamate, Limonene, Ethylhexyl Salicylate, Butyl Methoxydibenzoylmethane, Alpha-Isomethyl Ionone, Eugenol, Linalool, Benzyl Benzoate, Benzyl Alcohol, Ci 14700 (Red 4), Ci 60730 (Ext. Violet 2), Ci 19140 (Yellow 5), Ci 42090 (Blue 1) The list of ingredients may change. Please refer to the packaging of the purchased product.
Safety Information	Flammable. Do not use near a flame or a source of ignition. Avoid contact with eyes. If product gets into eyes, rinse thoroughly with water. Keep away from things that catch fire. Keep away from children.

FOR THE LIBERTINES

The SENSUAL mood is dessert at its irresistible best for the sensual niche-addicted who take time to savor every drop. Trusting intuition and disregarding what others favor happens because taking pleasure in everything niche perfumes offer is intrinsic to the whole experience and it’s part of the sensual-experimentation.

Quentin Bisch

PASSION IS THE ESSENCE OF LIFE

Creating beauty, sensuality, and excitement from the invisible is challenging, and Quentin Bisch epitomizes this pursuit. With a rich background in music and theater, complemented by a passion for painting in red and black, Bisch approaches the art of perfumery as if staging a play. The prologue must intrigue, the middle must complicate matters enough to engage the viewer's emotional involvement, and the grand finale should lead to a profoundly satisfying sensory climax. The master sees the tension in the creative process as a tonic that fuels his inspiration, and his compositions reflect this.